1. The Removed
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Based on characteristics of the French Canadian folk tune “Le Petite Rocher,” this song’s open, crystal-like harmonies speak to the landscape of Julie Johnson’s childhood in Lake of the Woods County, Minnesota: the stark beauty of its flatness, its long blue-and-white winters. Originally written for two flutes, this version for flute and resonator guitar captures the effect Johnson originally intended. Writing this piece led to her deep interest in the folk tradition of the Upper Midwest.